#Making mr right film android

Though Ulysses is meant to have a childlike charm, and to be a tabula rasa learning everything about the modern world by studying Frankie, the contents of Frankie's pocketbook and Phil Donahue, Mr. Frankie, who dresses as a kind of executive cigarette girl and happens to be between romances when Ulysses and the doctor come along, has a lasting effect on them both. Jeff Peters, who works for the large and Orwellian Chemtech Corporation and can't stand Frankie Stone, and as the wide-eyed Ulysses, who is so taken with Frankie that she quite literally makes his head - which is detachable - spin. Malkovich appears as both the grouchy Dr. But most of them take place on the periphery of the central story, which involves the spunky Miss Magnuson, John Malkovich, and John Malkovich again. Right,'' which opens today at Loews Tower East and other theaters, certainly has its moments.

Seidelman's tried-and-true methods are less successful here than they were last time. In the same way, there's no easy explanation why Ms. There's no accounting for why some matches work and others don't. Aside from Frankie, the film includes a number of other single women who are coping with the opposite sex as best they can, each looking for a man with just the right chemistry.

#Making mr right film android

The screenplay, by Floyd Byars and Laurie Frank, also involves an unmarried career woman named Frankie Stone (Ann Magnuson), who is hired to do public relations for the android and winds up becoming his good friend. The android has been custom-designed to withstand a long, boring trip into deep space, but fate has other things in store. In this case, the setting is Miami Beach rather than downtown Manhattan, and the story has a science-fiction aspect, involving a dour, disagreeable inventor who creates an android in his own image. It has great costumes, a large and cleverly chosen cast, the same kind of jokey, throwaway stylishness and an equally convoluted plot involving two characters who, in some way, share the same identity. Right'' has a lot in common with its predecessor, right down to the gerund in its title. Her ''Desperately Seeking Susan'' will long stand as the definitive guide to everybody who was anybody, and anything that was au courant, in the year in which it was made. Seidelman plays with clothes, knickknacks, pop tunes and crazily single-minded characters better than almost any other film maker around. This is the kind of hot-blooded, fun-loving moment that Susan Seidelman, who also directed ''Desperately Seeking Susan'' and ''Smithereens,'' manages best. Right'' roll by, the film's barefoot heroine is seen driving her bright red convertible to the sound of a high-voltage pop song, shaving her legs and painting on lipstick as she goes.